{"title":"Full Price","description":"","products":[{"product_id":"100-traditional-smiles","title":"100 Traditional Smiles","description":"","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427080409399,"sku":"9780864730770","price":15.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/100_smiles_001__38642_486f895f-5cff-4041-b1b2-72c11d3e7742.jpg?v=1752011430"},{"product_id":"84-484","title":"84-484","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e84-484 was my grandparents’ telephone number in the 1950s. Absent from my head for donkey’s years, it made its return last night as I was watching \u003c\/em\u003eAntiques Roadshow\u003cem\u003e. \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eYes, ‘84-484’ is my title. \u003cbr\u003e\u003c\/em\u003e\u003cem\u003eLingering however \u003cbr\u003e\u003c\/em\u003e\u003cem\u003ein ghostly pastel glyphs \u003cbr\u003e\u003c\/em\u003e\u003cem\u003eis the one I almost chose: ‘Dubious Truths’.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eGeoff Cochrane’s new book is a stunning new collection from one of NZ’s very best poets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePraise for \u003cem\u003e84 484\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003eNamed One of the \u003cem\u003eLumi\u003c\/em\u003e\u003cem\u003eère Reader\u003c\/em\u003e's Ten Books of the Year\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e‘Cochrane’s relaxed precision, stunning vocabulary and formidable concision are all happily present in \u003cem\u003e84-484\u003c\/em\u003e, a book full of memories, characters, Wellington, self-portraits and riddles.’ —Amy Brown, \u003cem\u003eLumi\u003c\/em\u003e\u003cem\u003eère Reader\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e‘Cochrane is not merely a frugal poet, thriftily recycling anecdotal skerricks and wisps of philosophical thoughts and self-destructive deeds into highly crafted and sophisticated works of art, but also a darkly humorous memorialist: a keeper of the keys for marginal Wellington.’ \u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e—David Eggleton, \u003cem\u003eDominion Post\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e‘This is good stuff that points at the things that are really important – life, love and perception.’ \u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e—Hamesh Wyatt, \u003cem\u003eOtago Daily Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e'\u003cem\u003e84-484\u003c\/em\u003e consistently rewards our attention.’ \u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e—Hugh Roberts, \u003cem\u003eThe Listener\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e‘What is not said is also part of the work, and the style is one of anecdotal simplicity and a notably hands-off treatment by the writer. … Cochrane's latest slim volume is surprisingly seductive in its modesty and humour.’ \u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e—Abby Cunnane, \u003cem\u003eCapital Times\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eGeoff Cochrane \u003c\/strong\u003e\u003cspan style=\"color: #000000; font-family: arial, helvetica, sans-serif; font-size: 12pt;\"\u003e(1951–2022) was a poet and fiction writer. The author of nineteen collections of poems, two novels, a novella, and two collections of short stories, he was the recipient of an Arts Foundation Laureate Award, presented as part of the 2014 Westpac New Zealand Arts Awards. He was awarded the Janet Frame Prize for Poetry in 2009, and the inaugural Nigel Cox Unity Books Award in 2010.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427080540471,"sku":"9780864735584","price":25.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/84_484__45749_7369fda1-b1cf-4e7b-b765-a0d063986cca.jpg?v=1752011432"},{"product_id":"aberhart","title":"Aberhart","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"style1\"\u003eLaurence Aberhart h\u003c\/span\u003eas been at the forefront of New Zealand photography since the late 1970s, and is recognised as a major international figure. His photographs are a sustained meditation on time, place and cultural history. They are also virtuoso pieces of photographic craft.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThis book is a landmark in New Zealand art publishing. In a definitive overview of Laurence Aberhart's work, 240 full-page reproductions of iconic photographs of churches, marae, cemeteries, Masonic Lodges and other subjects are accompanied by illuminating essays by art writers Gregory O'Brien and Justin Paton. O'Brien pursues the motif of the horizon through Aberhart's work, considering the many journeys that his career encompasses and the shelters and structures seen along the way, while Paton focuses on the human presences that quietly animate Aberhart's extraordinary body of work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe plates in \u003cem\u003eAberhart\u003c\/em\u003e are printed in tritone, with a tinted spot overgloss and matt seal. Tritone printing was chosen for this book after printing trials because it best captured the extraordinary intensity and detail, and subtle tones, of Aberhart's photos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eOn 12 May 2007 City Gallery Wellington opened \u003cem\u003eLaurence Aberhart\u003c\/em\u003e, a landmark exhibition in New Zealand photography. Over 200 iconic photographs were displayed in the most comprehensive overview of Laurence Aberhart's work. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eLAURENCE ABERHART\u003c\/b\u003e was born in Nelson in 1949, and since 1983 has lived and worked in Russell, Bay of Islands. He has been at the forefront of New Zealand photography since the late 1970s, and is recognised as a major international figure. His photographs have been exhibited widely in New Zealand, Australia and elsewhere, and significant holdings of his work are to be found in public galleries on both sides of the Tasman. A solo exhibition was held at the Stedelijik Museum Amsterdam in 2002, and a survey of his work was shown at the Centre for Contemporary Photography, Melbourne, Australia, in 2005. The major retrospective which this book accompanies opened at City Gallery Wellington on 12 May 2007, before touring to Dunedin Public Art Gallery and other destinations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eGREGORY O'BRIEN \u003c\/b\u003eis primarily a poet and painter. He is the author of or a contributor to many landmark art books, including \u003cem\u003eLands and Deeds: Profiles of Contemporary New Zealand Painters; Hotere: Out the Black Window; Rosalie Gascoigne: Plain Air; Parihaka: The Art of Passive Resistance;\u003c\/em\u003e and \u003cem\u003eWelcome to the South Seas: Contemporary New Zealand Art for Young People.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eJUSTIN PATON\u003c\/b\u003e is one of New Zealand's leading art writers and essayists. In the 2006 Montana New Zealand Book Awards, his book \u003cem\u003eHow to Look at a Painting\u003c\/em\u003e (Awa Press) won the Leisure and Lifestyle category, and \u003cem\u003eJeffrey Harris\u003c\/em\u003e (DPAG\/VUP) was shortlisted in the Visual Art category. Among his exhibitions are \u003cem\u003eWorld's Edge\u003c\/em\u003e, \u003cem\u003eShadowplay\u003c\/em\u003e and \u003cem\u003eTall Tales and History Lessons: Contemporary New Zealand Art from the Nineteenth Century\u003c\/em\u003e, all of which have included photographs by Laurence Aberhart.\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427080638775,"sku":"9780864735560","price":125.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/aberhart__75160_7bc694ae-7030-44a2-b643-8fc664c4029d.jpg?v=1752011437"},{"product_id":"abortion-then-and-now","title":"Abortion Then and Now","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWhen women publicly acknowledge they have had an abortion it makes other women realise abortion need not be a shameful secret, associated with feelings of guilt. At the heart of this groundbreaking book are personal stories from women who have had abortions. Their experiences  which encompass suffering and resilience, isolation and community  are deeply moving, and vividly convey forty years of change. These stories are supplemented with others from the police, doctors, and some of the pro-choice activists and advocates who worked to bring about much-needed change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIn the 40s deaths from septic abortions were an ever-present fear. In the conservative 50s deaths from sepsis were less common but there was a network of clandestine abortionists in every community. The 60s brought the contraceptive pill, feminism, and towards the end of the decade, safer abortions in Australia. The 70s saw abortion catapulted into the public domain, with protest and debate culminating in significant law reform in 1977, after which the medical profession finally took responsibility for the introduction of safe abortion services. Since 1978 women seeking abortion may still have had personal difficulties, but the legal situation has been indubitably better for patients, doctors and police.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAfter more than 30 years it is time to review the present system and the need for legislative change. The wealth of information and insight provided by this book is an important first step.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eDame Margaret Sparrow has had a long career in general and reproductive health. She has worked as Child Health Medical Officer in New Plymouth 1965-1969, in general practice at Victoria University Student Health 1969-1981, as visiting Venereologist at Wellington Hospital 1977-1999, at the Parkview Abortion Clinic 1980-1998, and with Wellington Family Planning from 1971 until her retirement in 2005. Born in Inglewood in 1935, she was educated at Waitara District and New Plymouth Girls High Schools and Victoria, Otago and London Universities. She has an honorary doctorate from Victoria University of Wellington, and is an Honorary Fellow of the Royal Australian and New Zealand College of Obstetricians and Gynaecologists (RANZCOG), and an Honorary Vice-President of Family Planning. She is President of the Abortion Law Reform Association of New Zealand and a Director of Istar Ltd, a not-for-profit company that imports the abortion pill. In 1987 she was awarded an MBE, in 1993 she received the New Zealand Suffrage Centennial Medal and in 2002 she was awarded the DCNZM for services to medicine and the community.\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427080671543,"sku":"9780864736321","price":50.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/AbortionThenandnow300dpi__66431_4b35bc77-a08f-4cd3-878d-f00212a5591f.jpg?v=1752011438"},{"product_id":"accountability-or-autonomy-in-the-universities","title":"Accountability or Autonomy in the Universities","description":"","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427080704311,"sku":"9780705503365","price":1.0,"currency_code":"NZD","in_stock":false}]},{"product_id":"acetylene","title":"Acetylene","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAt the heart of Geoff Cochrane’s third full-length collection of poems is a moving sequence on the death of the poet’s father. Traceable in the poems that surround it are other narratives of loss and need: of an unconsummated love, and of a life at the very margin of the new economy. Geoff Cochrane’s poetry is at once lush and severe. There is no one else quite like him.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eMy father dies;\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eI’m diagnosed as having … never mind; \u003cbr\u003e\u003c\/em\u003e\u003cem\u003emy longing for a leggy journalist \u003cbr\u003e\u003c\/em\u003e\u003cem\u003eis slowly starved to death.\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eYes, where I heal I’m bland.\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eA coffee bar provides\u003cbr\u003e\u003c\/em\u003e\u003cem\u003efestivity enough, my daily fix.\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eI read the blackboard chalked in limes and pinks:\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eObey your thirst –\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eBacon and Eggs, $6.00 –\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eExtract me the soldier from the sputnik.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePraise for \u003cem\u003eAcetylene\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e‘… vivid and moving. The stirring sequence on the death of Cochrane's father is quite outstanding.’ —Hamish Wyatt, \u003cem\u003eOtago Daily Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e‘Cochrane's poetry is both dirty and miraculous.’ —\u003cem\u003eSalient\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eGeoff Cochrane\u003c\/strong\u003e is the author of sixteen collections of poetry, two novels, and \u003cem\u003eAstonished Dice: Collected Short Stories \u003c\/em\u003e(2014). Geoff received an Arts Foundation of New Zealand Laureate Award in 2014. In 2009 he was awarded the Janet Frame Prize for Poetry, and in 2010 the inaugural Nigel Cox Unity Books Award.\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427080769847,"sku":"9780864734198","price":24.95,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/acetylene__36964_45f1ce66-f416-4bda-a8be-dd24fbf948ac.jpg?v=1752011441"},{"product_id":"acts-of-love","title":"Acts of Love","description":"\u003cp\u003eRita Harper met her husband in a religious cult in the United States. 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Rita throws herself into Leland's quest for fame and interferes in Stella's life, but if she can't face the truth of what happened forty years before, she might alienate her daughter and destroy her own marriage.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eActs of Love\u003c\/em\u003e is an unputdownable story of passion and ambition, love and duty, and what God can mean to different people.\u003c\/p\u003e\n\u003cp\u003e'A captivating story, you really cannot put it down.' —Mary McCallum, RNZ\u003c\/p\u003e\n\u003cp\u003e'What a stunner of a first novel.' —Graham Beattie, \u003cem\u003eBeattie's Book Blog \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e'\u003cem\u003eActs of Love\u003c\/em\u003e is not just an exploration of the different types of love that humans share; its a captivating story peopled with rambunctious characters who continue to surprise until the end.' —Rachael King\u003c\/p\u003e","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427080835383,"sku":"9780864735652","price":30.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/actsoflove.jpg?v=1754105704"},{"product_id":"the-adulterers-bible","title":"The Adulterer's Bible","description":"\u003cp\u003e\u003cfont color=\"#000000\"\u003e\u003cstrong\u003eWinner of the 2004 NZSA Jessie Mackay Best First Book Award for Poetry\u003c\/strong\u003e\u003c\/font\u003e\u003c\/p\u003e \u003cp\u003e\u003cfont color=\"#000000\"\u003e\u003ci\u003e\u003cspan class=\"style1\"\u003eThe Adulterer's Bible\u003c\/span\u003e\u003c\/i\u003e is a wickedly entertaining collection of poems from one of the most distinctive new voices in New Zealand writing.\u003c\/font\u003e\u003c\/p\u003e \u003cp\u003e\u003cfont color=\"#000000\"\u003eFrom autobiographical lyrics like 'The Adulterer Becomes a Roadie for the Clash' and 'Thinks About Sleeping with their Girlfriends' to the long poem 'Ophelia', about the tender love between an adolescent boy and an orangutan, to the reconstructed writings of Nelson legend Fidel Serif, this book will surprise and delight.\u003c\/font\u003e\u003cbr\u003e\u003cbr\u003e\u003cfont color=\"#000000\"\u003e\u003ci\u003eGold\u003c\/i\u003e\u003c\/font\u003e\u003c\/p\u003e \u003cp\u003e\u003cfont color=\"#000000\"\u003eI'm learning to lie because lies are made of gold\u003c\/font\u003e\u003cbr\u003e\u003cfont color=\"#000000\"\u003eand when they roll off my tongue I feel like a rich man.\u003c\/font\u003e\u003cbr\u003e\u003cfont color=\"#000000\"\u003eAnd every tongue my tongue touches turns to gold\u003c\/font\u003e\u003cbr\u003e\u003cfont color=\"#000000\"\u003elike I'm the King Midas of French kissing.\u003c\/font\u003e\u003cbr\u003e\u003cbr\u003e\u003cfont color=\"#000000\"\u003eCome, my love, let's spend it while we can \u003c\/font\u003e\u003cbr\u003e\u003cfont color=\"#000000\"\u003ebefore you see who I really am:\u003c\/font\u003e\u003cbr\u003e\u003cfont color=\"#000000\"\u003ethe small man who stamps his feet on the floor,\u003c\/font\u003e\u003cbr\u003e\u003cfont color=\"#000000\"\u003etongue-tied when his name turns the gold to straw.\u003c\/font\u003e\u003c\/p\u003e \u003cp\u003e\u003cfont color=\"#000000\"\u003e\u003cb\u003eCliff Fell\u003c\/b\u003e was born in London in 1955. 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The book feels like a transforming spell  something which is spoken aloud to redeem the past and restore possibility. \u003cbr\u003e Bill Manhire\u003c\/p\u003e \u003cp\u003eMichele lives experiences with intensity and reworks them in her poems with the same intensity, with heart truthfulness, eyes wide open in the dark. She takes the dark into her work, alive with sparkly wit and good humour.  Bernadette Hall\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePraise for \u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003eAfter the Dance\u003cbr\u003e \u003cbr\u003e \u003c\/strong\u003eHumour is, throughout the book, a quiet presence, popping up unexpectedly during poems about the death of parents, the effects of divorce and parental love. Compartmentalising Amas poems like this makes them appear heavy, but I assure you, theyre not. \u003cbr\u003e \u003c\/em\u003eAmy Brown SALIENT\u003c\/p\u003e \u003cp\u003e\u003cem\u003eAmass poetry combines evidence of emotional bruising with a sense of tenacity and the importance of laughter. 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She has two children to nurture, the captain's wife to minister to, her wayward sister to keep an eye on, and an elderly neighbour to nurse. And then she falls in love with the commodore … ‘A romance with a dash of feminism, a depiction of rocky marriages and a comedy of manners’\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePraise for \u003cem\u003eAll the Nice Girls\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e‘… a romp of a novel, spiked with surprises.’\u003cbr\u003e—Graeme Lay, \u003cem\u003eNorth \u0026amp; South\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan\u003e‘Anderson has woven a wonderful love story set against the mundane rituals of everyday life in New Zealand. It is a story told with humour, and compassion.’\u003cbr\u003e —Suzanne Chetwin, \u003cem\u003eWaikato Times\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e ‘… quite simply, a gem.’\u003cbr\u003e —Mary Raphael, \u003cem\u003eListener\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e ‘… one of the most rewarding novels of recent years.’\u003cbr\u003e —Iain Sharp, \u003cem\u003eSunday Star\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e ‘It is tightly written, closely observed, beautifully constructed — a novel by a writer who has mastered her craft.’\u003cbr\u003e —Ian Gordon, \u003cem\u003eNZ Herald\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427083456823,"sku":"9780864732590","price":24.95,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/Allthenicegirls150dpi__62949_ea5edf80-b771-4203-931e-dc42e472c44e.jpg?v=1752011461"},{"product_id":"all-the-nice-girls-b-format","title":"All the Nice Girls (B format)","description":"\u003cp\u003e\u003ca href=\"https:\/\/mebooks.co.nz\/fiction\/novels-contemporary\/all-the-nice-girls-ebook?search=all+the+nice+girls\"\u003e\u003cbr\u003e\u003cimg class=\"__mce_add_custom__\" style=\"float: right;\" title=\"mebook.gif\" src=\"https:\/\/cdn7.bigcommerce.com\/s-58zklai\/product_images\/uploaded_images\/mebook.gif\" alt=\"mebook.gif\" width=\"166\" height=\"46\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDevonport naval base, 1962. 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It is a story told with humour, and compassion.’\u003cbr\u003e—Suzanne Chetwin, \u003cem\u003eWaikato Times\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e‘quite simply, a gem.’\u003cbr\u003e—Mary Raphael, \u003cem\u003eListener\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e‘one of the most rewarding novels of recent years.’\u003cbr\u003e—Iain Sharp, \u003cem\u003eSunday Star\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e‘It is tightly written, closely observed, beautifully constructed — a novel by a writer who has mastered her craft.’\u003cbr\u003e—Ian Gordon, \u003cem\u003eNZ Herald\u003c\/em\u003e\u003c\/p\u003e","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427083522359,"sku":"9780864733801","price":24.95,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/nice_girls__72341_7330509b-f350-4201-858a-6a03c820d4bc.jpg?v=1752011462"},{"product_id":"alpha-male","title":"Alpha Male","description":"","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427083555127,"sku":"9780864733788","price":24.95,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/005__51586_ce749c0f-e099-4de9-a3e5-859a70632e5d.jpg?v=1752011464"},{"product_id":"alternating-currents-or-counter-revolution-contemporary-electricity-reform-in-new-zealand","title":"Alternating Currents or Counter-Revolution? Contemporary Electricity Reform in New Zealand","description":"\u003cp\u003eLewis T. Evans and Richard B. Meade place New Zealand's current institutional arrangements for its electricity sector within the context of successive waves of economic reform. They compare these arrangements with developments internationally, drawing together lessons for future policymaking both in New Zealand and overseas. \u003cem\u003eAlternating Currents or Counter-Revolution? \u003c\/em\u003eis a work of political economy – and the book carefully analyses the interplay between technology, economics and politics that has at different times driven the sector.\u003c\/p\u003e\n\u003cp\u003eControversially, the authors argue that the market reforms of the 1980s and 1990s provided greater supply security than the more centralised arrangements prevailing in the past – and that New Zealan'ds reversion to more centralised and political control since the late 1990s has resulted in an unsustainable halfway house that hinders private electricity investments and reinforces this trend.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e'\u003c\/strong\u003eThis is an extremely useful book that provides a comprehensive discussion of the challenges and opportunities associated with electricity sector liberalization. the New Zealand experience and the lessons learned from it are relevant to electricity sector reforms around the world. The book provides valuable insights for policy makers in all countries.' —Paul Joskow, Elizabeth and James Killian Professor of Economics and Management at MIT, and Director of the MIT Center for Energy and Environmental Policy Research\u003c\/p\u003e\n\u003cp\u003e'This must be the most comprehensive, informed and unbiased history of these events.' —Stephen Littlechild , Cambridge University, economic adviser to British energy regulator Ofgem, and former Director General of the British electricity supply (1989 to 1998)\u003c\/p\u003e\n\u003cp\u003e'A much needed and incisive review of the NZEM market years. I would like to think that the officials and politicians would adopt the book as compulsory reading.' —Doug Goodwin, Transpower New Zealand Limited\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLewis T. Evans\u003c\/strong\u003e is a professor of economics at Victoria University of Wellington and was the first executive director of the New Zealand Institute for the Study of Competition and Regulation Inc (ISCR). He is a senior consultant for Charles River Associates (Asia Pacific) Limited. At ISCR he supervised research into aspects of the New Zealand electricity industry.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard B. Meade\u003c\/strong\u003e is a research principal of ISCR, and as principal of Cognitus Advisory Services Limited advises clients on strategic and analytical problems drawing on the tools of economics, corporate finance and quantitative analysis. 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Forces like Conrad Cole, movie director and aircraft designer, a glory-seeking king of the grand splash who is also a man sinking into his own sovereign darkness. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAnd Flora McLeod, film editor and maimed former actress, who sees something in Xas that no-one has ever seen before, not even God, who made him, or Lucifer, the general he once followed – Lucifer, who has lost Xas once, but won't let that be the end of it.\u003c\/p\u003e\n\u003cp\u003e'As with her previous angel book, \u003cem\u003eThe Angel's Cut \u003c\/em\u003econtemplates the big questions. But this time, Knox immerses us in a more familiar historical milieu, the nascent Hollywood film industry. The book contains characters we instantly recognise from 1930s movies, from wisecracking gals who can hold their liquor and their fellas, to careless, fast-talking, wild-driving young men: all of them deeply flawed, fascinating and living life as if it might end at any moment. The immortal angel Xas should be repulsed or at least exasperated by this excess. But it's the passion, exuberance and irrational joy of being human that Xas (and Knox) plump for every time.' —Jose Borghino, \u003cem\u003eThe Australian\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e'Knox's 1998 bestseller is a category-obliterating tour de force: a literate fantasy, a theological love story, a New Zealand novel set in 19th-century France. It's a delight on every level and it needs a sequel the way the Moonlight Sonata needs a heavy metal version. So why saddle it with one? 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This first collection shows a mature talent and steady poise.’ \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e—Janet Wilson, \u003cem\u003eEvening Post\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eStephanie de Montalk\u003c\/strong\u003e is the award-winning author of several collections of poems; \u003cem\u003eThe Fountain of Tears\u003c\/em\u003e, a novel that imagines the narrative behind Pushkin’s great poem of impossible love, ‘The Fountain at Bakhchisaray’; and \u003cem\u003eUnquiet World: The Life of Count Geoffrey Potocki de Montalk\u003c\/em\u003e, which was published to acclaim in 2001 and has been translated into Polish. Stephanie's most recent publication is \u003cem\u003eHow Does It Hurt?\u003c\/em\u003e (2014), a memoir and study of chronic pain. Described by Damien Wilkins as ‘groundbreaking and riveting and beautiful’, the work was published to critical and medical acclaim, and received a Nigel Cox Award at the 2015 Auckland Writers’ Festival. Stephanie was the 2005 Victoria University Writer in Residence, and she lives in Wellington.\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427083817271,"sku":"9780864733894","price":19.95,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/054__97878_4dafd2be-8836-488d-b004-9a373725b435.jpg?v=1752011476"},{"product_id":"anne-noble-states-of-grace","title":"Anne Noble: States of Grace","description":"\u003cp\u003eHighly commended: Best Typography 2002 Spectrum Print Book Design Awards\u003cbr\u003edesigner Karina McLeod\u003cbr\u003e\u003cb\u003e\u003cbr\u003eThe first major publication of the work of one of New Zealands foremost artists and photographers\u003c\/b\u003e.\u003cbr\u003e\u003cbr\u003eFor a long time acknowledged as a major figure in the evolution of photography in New Zealand, Anne Noble has in the last decade come to the fore as a major mid-career artist, regardless of medium. Noble has addressed a remarkable range of social, ethical and poetic issuesfrom landscape to religion, from the personal to the political, and from the ecology of the Kaikoura coast to the slow rhythms of life in a London convent. But throughout, her art has been distinguished by its formal beauty, the rigour of its ethics, its social breadth, and its enrichment of documentary photography with symbolic and poetic qualities. Patient, poised, and intimate, hers are images that discover states of grace amongst the faces and objects of ordinary life.\u003cbr\u003e\u003cbr\u003eStunningly designed, and filled with 64 duotone and 16 colour plates, the book features a major essay by Justin Paton and two further essays by Lydia Wevers and Anne Kennedy. Co-published with the \u003ca href=\"http:\/\/www.cityofdunedin.com\/city\/?page=dpag_about\"\u003eDunedin Public Art Gallery\u003c\/a\u003e to accompany the exhibition which will tour from Dunedin to Wellington City Gallery in 2002, it will be a crucial addition to the shelves of students and enthusiasts of New Zealand art and photography.\u003cbr\u003e\u003cbr\u003eAnne Nobles work is included in major public and private collections throughout New Zealand, and has been shown in a number of significant group exhibitions (\u003ci\u003eAsia-Pacific Triennial of Contemporary Art\u003c\/i\u003e, 1993; \u003ci\u003ePacific Parallels\u003c\/i\u003e, 1991; \u003ci\u003eViews\/Exposures\u003c\/i\u003e, 1983). Nobles major essays have frequently become touring solo shows, including \u003ci\u003eIn the Presence of Angels\u003c\/i\u003e, 1989, \u003ci\u003eHidden Lives: the Work of Care\u003c\/i\u003e, 1994; and \u003ci\u003eTe Hikoi O Kati Kuri\u003c\/i\u003e, 1998. 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The Parallel Universes of New Zealand Writers and Scientists","description":"\u003cp style=\"text-align: left;\"\u003e'Are angels OK?' asked Bill the poet.\u003cbr\u003e'Angels are just fine,' said Paul the physicist.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eThus began an extraordinary blind date between New Zealand writers and physicists.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eIn this remarkable book, ten New Zealand writers (with some help from New Zealand scientists) wing their way through:\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003ethe sandpile phenomenon . the curvature of space time . wave particle duality . the untimely death of Schrodingers cat . Elsewhen . Heisenbergs Uncertainty Principle . dark energy . entropy . the arrow of time . quarks . anti-matter . The Death of the Sun and The End of the Universe . . .\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eWith contributions by Catherine Chidgey * Glenn Colquhoun * Dylan Horrocks * Witi Ihimaera * Lloyd Jones * Elizabeth Knox * Margaret Mahy * Vincent O'Sullivan * Chris Price * Jo Randerson\u003c\/p\u003e\n\u003cp align=\"justify\" style=\"text-align: left;\"\u003eThis is a provocative and fascinating read for science and non-science buffs alike. Since Einstein's time, the world of physics has become a strange, fantastic and sometimes disturbing place – potentially a rich domain for philosophers and artists. The results of these science\/literary and artistic collaborations prove this point.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e'There are some real gems in this beautifully constructed book.' —Kate Orgias, \u003cem\u003eLumiere Reader\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e'A fine collection of creative writing that delves into the mysteries of the universe through very human avenues.' —Mary de Ruyter, \u003cem\u003eCitymix\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e'Manhire has done an outstanding job of bringing in a range of first-rate writers, from Catherine Chidgey and Margaret Mahy to Lloyd Jones and Witi Ihimaera. 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Stories for the Armchair Traveller","description":"\u003cp\u003e\u003cstrong\u003e Travel the world, from Austria to Vietnam, without leaving your favourite armchair! \u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cem\u003e The whole worldwithout carbon miles.\u003c\/em\u003e\u003cem\u003e Its time we had books like this.\u003c\/em\u003e Bill Manhire\u003c\/p\u003e \u003cp\u003e\u003cem\u003e Been There, Read That: Stories for the Armchair Traveller\u003c\/em\u003e is a fascinating collection of short stories from around the world. Some of the authors are well known in their native language, others are relative newcomers; for many, this is the first time their work has appeared in English. In every case, the translators invite you to share the pleasures of their art: encountering a new voice, connecting with another culture, seeing the world through very different eyes.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e France\u003c\/strong\u003e A mayor and his community try desperately to maintain the appearance of normality in a village that refuses to stay in one place. \u003cstrong\u003eGermany\u003c\/strong\u003e A successful author longs to return to the wild days of his youth, but his long-suffering wife is not so sure. \u003cstrong\u003eIran\u003c\/strong\u003e A child tries to come to terms with the shock of her parents separation. \u003cstrong\u003eItaly\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e A doctor comes under the spell of an invalid giantess and her domineering mother. \u003cstrong\u003eKorea\u003c\/strong\u003e A country girl travels to Seoul to live with her mother, and is both dazzled and disappointed by what she finds there. \u003cstrong\u003eMexico\u003c\/strong\u003e The quest to become parents takes over the lives of a couple who seem to have everything but the ability to conceive a child. \u003cstrong\u003eSpain\u003c\/strong\u003e A twin falls from a building, changing his brothers life foreverbut which twin? \u003cstrong\u003eSwitzerland\u003c\/strong\u003e Amélie is left holding the baby as domestic realities erode her relationship with Émile, the love of her life. \u003cstrong\u003eTahiti\u003c\/strong\u003e Cousin Pouen is onto a winner when his scrawny rooster turns out to be the Tyson of fighting cocks. \u003cstrong\u003eVenezuela\u003c\/strong\u003e A lonely young boy in a small backcountry town struggles with the mysteries, inconsistencies and cruelties of adult behaviour.\u003c\/p\u003e \u003cp\u003eThe publication of this book marks the opening of the New Zealand Centre for Literary Translation. The Centre and \u003cem\u003eBeen There, Read That! \u003c\/em\u003ewill be launched by the Prime Minister Rt Hon Helen Clark on 3 March.\u003c\/p\u003e","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427085062455,"sku":"9780864735720","price":30.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/beenthere.9780864735720__96251_09d7370e-6043-4ea9-ad83-1f8a98b4bce3.gif?v=1752011496"},{"product_id":"bell-tongue","title":"Bell Tongue","description":"","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427085127991,"sku":"9780864733634","price":19.95,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/034__30672_0f8bb7ad-8d03-4fd6-8433-26a9546ebb1c.jpg?v=1752011497"},{"product_id":"below","title":"Below","description":"\u003cp style=\"text-align: left;\"\u003eThe intricate and arduous underground world of caving is the setting for this prize-winning first novel of quest and self-discovery.\u003cbr\u003e\u003cbr\u003eTodd has left his job and broken up with his girlfriend. While picking up the pieces of his postgraduate research, he finds himself increasingly drawn into the underground world of caving, and especially into an ambiguous relationship with Phil, an experienced caver obsessed with retracing the steps of an expedition during which a young friend was lost. Meanwhile, relationships with his divorced parents and a new girlfriend become increasingly fraught.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eBelow\u003c\/i\u003e is a beautifully written and engrossing novel which comes to a spellbinding conclusion in the deep chambers of Deadman's Cave.\u003c\/p\u003e","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427085193527,"sku":"9780864734136","price":24.95,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/belowcover.jpg?v=1765858891"},{"product_id":"the-bengal-engines-mango-afterglow","title":"The Bengal Engine's Mango Afterglow","description":"\u003cp\u003e\u003cfont color=\"#000000\"\u003ePaperback\u003c\/font\u003e\u003c\/p\u003e \u003cp\u003e\u003cfont color=\"#000000\"\u003e\u003cb\u003eJuly 2012\u003c\/b\u003e\u003c\/font\u003e\u003c\/p\u003e \u003cp\u003e\u003cfont color=\"#000000\"\u003e\u003cem\u003eBashö alone and walking some high path.\u003cbr\u003eBashö alone and climbing the concrete steps to heaven,\u003cbr\u003ea flask of gin in his satchel.\u003cbr\u003eA flask of gin and a spring roll gone cold.\u003c\/em\u003e\u003c\/font\u003e\u003c\/p\u003e \u003cp\u003e\u003cfont color=\"#000000\"\u003eThe great Japanese poet Bashö is just one of the shades that haunt the vividly precise yet deeply mysterious poems in Geoff Cochrane’s new collection.\u003c\/font\u003e\u003c\/p\u003e \u003cp\u003e\u003cfont color=\"#000000\"\u003e‘My favourite VUP book from this year is Geoff Cochrane's \u003cem\u003eThe Bengal Engine's Mango Afterglow\u003c\/em\u003e. I love GC's poetry and his new collection is just as wonderful as his previous books. I love his searing honesty in the way he looks at himself and the world, his work is wise in a completely humble and fearless way. He's so darned funny, too. I kept finding lines which I wanted to write down in my diary, or write on the wall or get tattooed on my body or something.’\u003c\/font\u003e\u003cbr\u003e\u003cfont color=\"#000000\"\u003e—Helen Lehndorf\u003c\/font\u003e\u003c\/p\u003e \u003cp\u003e\u003cfont color=\"#000000\"\u003e\u003cstrong\u003eGeoff Cochrane\u003c\/strong\u003e is the author of sixteen collections of poetry, two novels, and \u003cem\u003eAstonished Dice: Collected Short Stories\u003c\/em\u003e (2014). Geoff received an Arts Foundation of New Zealand Laureate Award in 2014. In 2009 he was awarded the Janet Frame Prize for Poetry, and in 2010 the inaugural Nigel Cox Unity Books Award.\u003c\/font\u003e\u003c\/p\u003e","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427085259063,"sku":"9780864737618","price":25.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/BengalEngine300dpi__08311_2d3aca3e-1b10-4aa7-bd9e-cc8b54092ebb.jpg?v=1752011501"},{"product_id":"the-best-man-who-ever-served-the-crown-a-life-of-donald-mclean","title":"The Best Man Who Ever Served the Crown?: A Life of Donald McLean","description":"\u003cp\u003e\u003cb\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"style1\"\u003eShortlisted\u003c\/span\u003e for the 2008 Montana New Zealand Book Awards\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"style1\"\u003eShortlisted\u003c\/span\u003e for the University of Melbourne-based Ernest Scott Prize for 2008\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"color: #000000;\"\u003eNamed one of \u003cstrong\u003ethe \u003cem\u003eNZ Listener\u003c\/em\u003e's Best Books of 2007\u003c\/strong\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThis monumental work of scholarship is the first full biography of one of the key actors in the drama of 19th-century New Zealand land dealing. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eDonald McLean was born in Tiree in the Scottish Hebrides in 1820 and came to New Zealand in 1840. His first government appointment was to the Protectorate of Aborigines in 1843, and he was to have a major public role until his death in 1877, as Land Purchase Commissioner, Native Minister, and major landowner in his own right.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eMcLean was respected by Māori for his knowledge of te reo and respect for rank and protocol, and was closely involved in land dealings in the Taranaki and elsewhere that still have repercussions today. Highly regarded by politicians and settlers for his ability to get things done, he was also denounced after his death for having failed to open up the King Country to settlement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e'This is the life story of an extraordinarily tough, shrewd man, admirable, perhaps, but hardly likeable . . . This excellent book provides a detailed exposition of the issues, almost all around land, that rent New Zealand's 19th-century pioneer society.' — Gordon McLauchlan, \u003cem\u003eNZ Herald\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAfter a period of secondary teaching, much of \u003cb\u003eRay Farghe\u003c\/b\u003er's working life was spent as General Secretary of the Association of Teachers in Technical Institutes until retiring in 1986. He then spent the next four years chairing ministerial working parties advising on the reform of post-school vocational education and training, including the Probine-Fargher Report on the Organisation, Management and Funding of Continuing Education.\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427085357367,"sku":"9780864735607","price":50.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/bestmanwhoever-mclean.jpg?v=1755746904"},{"product_id":"the-best-of-best-new-zealand-poems","title":"The Best of Best New Zealand Poems","description":"\u003cp\u003e\u003ca href=\"https:\/\/mebooks.co.nz\/fiction\/poetry\/the-best-of-the-best-new-zealand-poems-ebook\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg style=\"float: right;\" height=\"70\" width=\"240\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/MeBooks_for_product_page_on_web.png?v=1751688470\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSince 2000, the online anthology \u003ci\u003eBest New Zealand Poems\u003c\/i\u003e has showcased the most exciting and memorable poetry produced in this country. Here, for the first time, is a selection of this work in book form. Edited by founding publisher Bill Manhire, and writer Damien Wilkins, this anthology is an indispensable guide to the richness, strangeness, and liveliness of contemporary poetry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWith over sixty poets appearing, there is classic work by some of the best-known figures in our writing, including Sam Hunt, Allen Curnow, Jenny Bornholdt, Cilla McQueen, Elizabeth Smither, and Ian Wedde; there are also compelling poems from new writers. Each poet's own note on the selection illuminates the work and takes us inside the writer's personal workshop. The first decade of the new century comes into view as a vibrant, argumentative, restless period, with our poets unafraid of either political engagement or strong personal feeling.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe extraordinary range of forms and voices immediately makes this book the most inviting and enjoyable collection of New Zealand poetry available.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e'Space doesn’t allow for suﬃcient of poems from this large collection to be considered in a review. The book is a great way for readers, students and teachers to read contemporary New Zealand poetry, ﬁnding gems along the way and plenty to think about.' —Patricia Prime, Takahē\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eBill Manhire\u003c\/strong\u003e is the author of many books of poems, including \u003ci\u003eLifted\u003c\/i\u003e (2005) and \u003ci\u003eThe Victims of Lightning\u003c\/i\u003e (2010), as well as short stories and essays, and has edited many anthologies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDamien Wilkins\u003c\/strong\u003e is the author of many novels, including \u003ci\u003eThe Miserables\u003c\/i\u003e (winner of the NZ Book Award for Fiction in 1994) and \u003ci\u003eSomebody Loves Us All\u003c\/i\u003e (2009), as well as poetry, plays, short stories and essays. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eContents\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eFleur Adcock\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eHaving sex with the dead\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eJohanna Aitchison\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eMiss Red in Japan \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eMichele Amas \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eDaughter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAngela Andrews\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eWhite Saris\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTusiata Avia\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eShower\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eStu Bagby\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe boys\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eHinemoana Baker \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003emethods of assessing the likely presence of a terrorist threat in a remote indigenous community\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eDavid Beach\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eParachute\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003ePeter Bland \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eX-Ray\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eJenny Bornholdt \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eFitter Turner\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAmy Brown \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe Propaganda Poster Girl\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eJames Brown \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eUniversity Open Day\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAlan Brunton\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eMovie\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRachel Bush\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe Strong Mothers\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eKate Camp \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eMute song\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAlistair Te Ariki Campbell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eGordon Challis\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eWalking an imaginary dog\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eGeoff Cochrane\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eSeven Unposted Postcards to My Brother\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eGlenn Colquhoun\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eTo a woman who fainted recently at a poetry reading\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eJennifer Compton \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe Threepenny Kowhai Stamp Brooch\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eMary Cresswell\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eGolden Weather (Cook Strait)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAllen Curnow\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eWhen and Where\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eLynn Davidson \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eBefore we all hung out in cafés\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eFiona Farrell\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eOur trip to Takaka\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eCliff Fell\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eOphelia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSia Figiel\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eSongs of the fat brown woman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eJoan Fleming \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eTheory of light\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRhian Gallagher\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eBurial\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eJohn Gallas \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003ethe Mongolian Women's Orchestra\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003ePaula Green\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eWaitakere Rain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBernadette Hall\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe History of Europe\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eDinah Hawken\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e365 x 30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSam Hunt \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eLines for a New Year\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAnna Jackson \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eSpring\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eLynn Jenner \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eWomen's Business\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAndrew Johnston \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe Sunflower \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAnne Kennedy\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eDie die, live live\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eMichele Leggott \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003enice feijoas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eGraham Lindsay\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003ebig bed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAnna Livesey\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eShoeman in Love\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eCilla McQueen \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eRipples\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSelina Tusitala Marsh \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eNot Another Nafanua Poem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eKarlo Mila\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eSacred Pulu\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eStephanie de Montalk\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eHawkeye V4\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eEmma Neale\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eBrooch\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eJames Norcliffe \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eyet another poem about a giraffe\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eGregory OBrien\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eWhere I Went\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003ePeter Olds\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eDisjointed on Wellington Railway Station\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBob Orr\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eEternity\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eChris Orsman\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eMaking Waves\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eVincent OSullivan\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe Child in the Gardens: Winter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eVivienne Plumb\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eGoldfish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eChris Price\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eRose and fell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eKerrin P. Sharpe \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003elike rain the thunder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eMarty Smith \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eHat\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eElizabeth Smither \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eTwo security guards talking about Jupiter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eC.K. Stead\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eWithout\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRichard von Sturmer \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAfter Arp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRobert Sullivan \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAfter the UN Rapporteur Supported Maori Customary Rights \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBrian Turner \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eFear\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTim Upperton \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe starlings\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eLouise Wallace \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe Poi Girls\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIan Wedde\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eTo Death\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSonja Yelich\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eand-yellow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAshleigh Young\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eCertain Trees\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427085422903,"sku":"9780864736512","price":35.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/BBNZP_300_dpi__80596_8ea9960e-7028-4216-a4a5-d92134257c58.jpg?v=1752011504"},{"product_id":"bibliography-of-writings-about-new-zealand-music-a","title":"A Bibliography of Writings about New Zealand Music","description":"","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427085455671,"sku":"9780864730299","price":29.95,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/Bibliographyofwritingsaboutnzmusic_150dpi__35144_1f8c73ab-2790-4ef2-bac2-5df21d5619a1.jpg?v=1752011506"},{"product_id":"billies-kiss","title":"Billie's Kiss","description":"\u003cp style=\"text-align: left;\"\u003e\u003ca href=\"https:\/\/mebooks.co.nz\/fiction\/novels-contemporary\/billie-s-kiss-ebook\"\u003e\u003cspan class=\"style1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/MeBooks_for_product_page_on_web.png?v=1751688470\" alt=\"\" width=\"240\" height=\"70\" style=\"float: right;\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan class=\"style1\"\u003e\u003c\/span\u003e\u003cstrong\u003eShortlisted for the 2002 Montana New Zealand Book Awards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"style1\"\u003eWith an Edwardian twist on \u003cem\u003eThe Tempest\u003c\/em\u003e, and all the surprising, earthy and magical qualities of her bestseller \u003cem\u003eThe Vintners Luck\u003c\/em\u003e, Knoxs equally irresistible new novel is set on the remote, divided Scottish island of Kissack and Skilling, one half of which looks historically and geographically towards Catholic Ireland, the other towards the Protestant north and Scandinavia.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"style1\"\u003eIn the spring of 1903 a ship explodes as it docks on the island, drowning many of the passengers and crew in the icy waters of Stolnsay harbour. Young, strawberry-blonde-haired Billie Paxton is among the only survivors. Clumsy, illiterate and suddenly alone, Billie will not say why, before the explosion, she jumped from ship to shore, and so falls under the immediate suspicion of her fellow passenger, Murdo Hesketh, and his cousin and employer, Lord Hallowhulme, who owns the island  and has controversial plans for improving the lives of its inhabitants\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"style1\"\u003eGloriously inventive and vividly atmospheric, \u003cem\u003eBillies Kiss\u003c\/em\u003e conjures up a way of life hurtling towards a brave new world, in an enchanting novel that combines a strange, sexy love story with an Edwardian mystery, bringing together murder and eugenics, progress, prejudice and the loss of innocence.\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e'New Zealander Knox, an energetic magical realist with a vibrant comic imagination, scores strongly again with this densely plotted tale of a waiflike shipwreck survivors bizarre life and loves.' —\u003cem\u003eKirkus Reviews\u003c\/em\u003e (US)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e'\u003cspan class=\"style1\"\u003e\u003cem\u003eBillie's Kiss\u003c\/em\u003e has pace and delivery, as well as the succulent and vivid writing Knox is known for.' —Lydia Wevers, \u003cem\u003eEvening Post\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"style1\"\u003e'Complete, satisfying, and original, with just enough refinement and restraint to enhance the quality and feed the imagination, \u003cem\u003eBillie's Kiss\u003c\/em\u003e is a dashing, delightful and absorbing read by a versatile, assured and surprising writer.' —Lindsay Botham, \u003cem\u003eDominion\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e'I read \u003cem\u003eBillie's Kiss\u003c\/em\u003e twice, relishing the sheer skill, the lovely detail, language and atmosphere of a superbly told tale.' —Molly Anderson, \u003cem\u003eOtago Daily Times \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427085521207,"sku":"9780864734266","price":29.95,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/billieskiss.9780864734266__92429_b6303ae7-af6d-4204-81a3-c47ec2e83cb5.gif?v=1752011508"},{"product_id":"billy","title":"Billy","description":"\u003cp\u003eSet in the New South Wales penal colony in the 1820s, \u003cem\u003eBilly\u003c\/em\u003e focuses on seven middle-class English men and women - their fears, their hopes, their uncertainties about the new land they find themselves in. Their transported drawing room sits uneasily against the fierce unknowns of its Australian backdrop and the play skilfully probes the cracks in the facade of colonial culture. At the centre of the drama is Billy, a deaf-mute Aboriginal servant. The object of fear, derision, and also affection, it is Billy who receives the secrets of his masters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVincent O'Sullivan\u003c\/strong\u003e (1937–2024) was one of New Zealand's most celebrated writers. He was a well-known short story writer, novelist, critic, poet, and playwright. \u003c\/p\u003e","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427085586743,"sku":"9780864732057","price":15.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/Billy_150dpi__15385_2f5cc16b-3b1b-4959-a3a6-9b6035e60cdd.jpg?v=1752011510"},{"product_id":"biografi","title":"Biografi","description":"","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427085619511,"sku":"9780864732569","price":34.95,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/Biografi_001__04362_14d3f9e0-8336-4d10-adca-07d9924bea08.jpg?v=1752011511"},{"product_id":"biographical-dictionary-of-new-zealand-composers","title":"Biographical Dictionary of New Zealand Composers","description":"","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427085717815,"sku":"9780864730954","price":24.95,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/NZ_Composers_001__79791_d4e64a9b-02cc-4438-b000-388edc2abbbd.jpg?v=1752011513"},{"product_id":"bird-north-and-other-stories","title":"Bird North and Other Stories","description":"\u003cp\u003e \u003c\/p\u003e \u003cp style=\"text-align: right;\"\u003e\u003cspan style=\"color: #800000;\"\u003e\u003cstrong\u003e\u003ca href=\"http:\/\/mebooks.co.nz\/index.php?route=product\/product\u0026amp;isbn=9780864737571\" target=\"_blank\" rel=\"noopener\"\u003e\u003cimg class=\"__mce_add_custom__\" title=\"mebook.gif\" src=\"https:\/\/teherengawakapress.co.nz\/product_images\/uploaded_images\/mebook.gif\" alt=\"mebook.gif\" width=\"166\" height=\"46\"\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e\u003cfont color=\"#000000\"\u003e\u003cspan style=\"color: #800000;\"\u003e\u003cstrong\u003ePublished October 2011\u003c\/strong\u003e\u003c\/span\u003e\u003c\/font\u003e\u003c\/p\u003e \u003cp\u003e\u003cfont color=\"#000000\"\u003eNZ Listener top 100 pick, 2011.\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/font\u003e\u003c\/p\u003e \u003cp\u003e\u003cfont color=\"#000000\"\u003eBreton Dukes stands in the great tradition of New Zealand writers – Frank Sargeson, Maurice Duggan, Owen Marshall – who have looked at men's lives. The portraits in Duke's stories are searingly fresh, always pointing away from clichés about male failure. The characters here are often trying to break free of expectation, and our engagement with them is always heightened by the language Dukes creates. With a bold mix of plain-speaking and lyrical flourish, the writer brings emotional urgency as well as surprising humour to a range of worlds, from remote hot pools to a Johnsonville bottle store, from a predatory act during a cross-country run in Fiordland to a doomed diving trip off Wellington's south coast.\u003c\/font\u003e\u003c\/p\u003e \u003cp\u003e\u003cfont color=\"#000000\"\u003e\u003cem\u003e'Bird North\u003c\/em\u003e is a striking first collection of stories from a writer who has zeroed in on his subject and delivered an intense, necessary book.' —\u003c\/font\u003e\u003cfont color=\"#000000\"\u003eDamien Wilkins\u003c\/font\u003e\u003c\/p\u003e \u003cp\u003e\u003cfont color=\"#000000\"\u003e'Confidant, nuanced and unselfconsciously local, this is an accomplished debut.' —Sam Finnemore, \u003ci\u003eNZ Listener\u003c\/i\u003e\u003c\/font\u003e\u003c\/p\u003e \u003cp\u003e\u003cfont color=\"#000000\"\u003e'Roddy Doyle is a hard act to follow, but in \u003ci\u003eBird North\u003c\/i\u003e, New Zealand author Breton Dukes does it with a gritty, and sometimes disturbing collection of stories that illustrate the pitfalls and dilemmas facing teen to mid-20s Kiwi males.' —Ian Williams, \u003ci\u003eOtago Daily Times\u003c\/i\u003e\u003c\/font\u003e\u003c\/p\u003e \u003cp\u003e\u003cfont color=\"#000000\"\u003e\u003cb\u003eBreton Dukes\u003c\/b\u003e has worked in hospitals, language schools, gymnasiums, bars, kitchens, factories and government call centres. Raised in Dunedin, he currently lives with his partner in Northland where he is a house-husband, an ocean swimmer, and a bird watcher.\u003cbr\u003e\u003c\/font\u003e\u003c\/p\u003e","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427085750583,"sku":"9780864736901","price":35.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/BirdNorth-front-300dpi__63747_75ae82ef-9f8a-460a-a51a-3584b7ec65d2.jpg?v=1752011515"},{"product_id":"birds-of-clay","title":"Birds of Clay","description":"\u003cp\u003e\u003cem\u003eNZ Listener\u003c\/em\u003e top 100 pick, 2012\u003c\/p\u003e\n\u003cp\u003eThis striking first collection (in English) mixes powerful lyrics, Serbian proverbs and literary experiments, and moves from the Balkan wars to New Zealand.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBirds of Clay\u003c\/em\u003e flies from the northern to the southern hemisphere, bringing with it a suitcase full of edgy Balkan politics and surrealism. Aleksandra Lane is no fly-by-night writer in exile, though: while vividly remembering where theyve come from, her words are busy putting down roots and tasting the soil on this side of the planet.  They occupy the bittersweet zone between crossfire and desire, and have their sights trained on the moments when passion and compassion fall short of their target. Poignant and fierce, these are poems that surprise at every turn.  CHRIS PRICE\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBirds of Clay\u003c\/em\u003e is Aleksandra Lane's first book in English, after two published in Serbian. Aleks moved to New Zealand in 1996, and completed her MA in Creative Writing at Victoria University's Institute of Modern Letters in 2010, receiving the Biggs Poetry Prize. Her poems have been published in \u003cem\u003eJacket2, Sport, Turbine, Takahe, Snorkel, Side Stream\u003c\/em\u003e and \u003cem\u003eSwamp\u003c\/em\u003e. She lives in Wellington and is studying for a PhD in English at Massey University.\u003c\/p\u003e\n\u003cp\u003e'Lane’s themes, from a lesser poet, would have been a prime target for cliché: war, family, intimacy and its failures, cultural fragmentation, memory. Instead, showing the intellectual maturity of a poet with two published books (in her native Serbian), a startling freshness of language and a gaze untainted by sentimentality, she turns her material into pure gold.' - NZ Listener\u003c\/p\u003e\n\u003cp\u003eThis is a sharp and skilfully crafted collection. There is a rich smorgasbord of form in here: a clever villanelle (‘Knife’); a sparkling constellation of concrete poems (‘Another Legendary Sky’); prose poems (‘dead Pixel’); list poems (‘Unabridged’); found poems (‘There Are No Ghosts in America’). Lane knows what she is doing, but does it with a light hand, making nothing feel mannered or contrived. Time and Place are manipulated like the folds of a Japanese fan: sometimes it’s open, sometimes it’s closed. There is a flick and suddenly the reader is transported from Serbia to Wellington, from childhood to old age. And back again. The entire section 'Birds of Clay' is set in a town in Serbia and a life is told in tiny prose-poem snippets like freeze-frame, jerky filmstock. A series of images\/sense impressions flickers before the reader’s eyes and the story is told. There are absolute killer poetic phrases too numerous to mention. Some excellent ones are “…her fur gathers in the corners of the room”, “…sun veneer”, “…his mouth is now shut pitch black”, “…the we are not in line line”. Lane has some remarkable usages of words, which i suspect is a benefit of being multi-lingual. “he stamps on the plastic bottles to make them submit to recycling…” is a pearler. Particularly elegant is “… something yellow insists on smelling of Spring”. i love the “submit” and the “insists”, both excellent and unusual selections and usages of words. The survival of the trauma of war is a persistent theme, as is the feeling of displacement of emigration. This is a satisfying and intelligent collection which invites several readings in order to penetrate its many levels. - Natasha Dennerstein, A Fine Line\u003c\/p\u003e","brand":"Te Herenga Waka University Press","offers":[{"title":"Default Title","offer_id":50427085848887,"sku":"9780864737588","price":30.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0928\/5048\/7607\/files\/birds-300dpi__17463_8211ffc1-3e54-4943-a245-42ab9f1d7781.jpg?v=1752011516"}],"url":"https:\/\/teherengawakapress.co.nz\/collections\/full-price.oembed?page=51","provider":"Te Herenga Waka University Press","version":"1.0","type":"link"}